Romy and Michelle’s High School Reunion 1997 ****

romyPower sucks, or certainly the abuse of it does; whether convictions are the result of the on-going MeToo revolution or not, it’s to be hoped that the film industry will no longer be a place where one man can successfully blacklist a wronged woman. Mira Sorvino has made accusations of exactly that nature, and it’s pretty much apparent that her career took a nose-dive from Oscar winner for Mighty Aphrodite to Hallmark tv movie queen. Two years after her Academy Award, she did some of her best work in this delightfully feather-weight Touchstone Pictures comedy which pairs her with Friends star Lisa Kudrow. While everything from Bill and Ted to Dumb and Dumber gets prequels, sequels and reboots, Romy and Michelle has been left on the shelf, and that’s a real shame, because it’s a funny, likable film with strong female characters.

The point of origin is a play, Ladies Room by Robin Shiff; one that gave birth to the characters of Romy and Michelle, played by Sorvino and Kudrow respectively. The tagline, The Blonde leading the Blonde, reflects the fun that’s had with the heroines being somewhat gauche; the gag is that Romy and Michelle are losers, but they resolve to fake it until they make it, specifically because they’re headed home from LA for a high-school reunion which they hope won’t reflect their penury. A chance encounter with Heather Mooney (Janeanne Garofalo) in a Jaguar repair-shop inspires the girls to deceive their old friends and foes alike by pretending to have invented Post-It stickers and other white lies. Of course, the internet hasn’t happened yet, so it’s quite possible to get away with such untruths, since fact-checking seems to have been an unknown art in 1997.

There’s lots of fun to be with David Mirkin’s film; early roles for Justin Theroux and Alan Cumming, who has a wild dance scene set to Cyndi Lauper’s Time After Time in the film’s celebratory climax. But Sorvino and Kudrow are a revelation, with great comic timing, just enough pathos, and two characters who should have spawned a franchise for sure. And this is a story where the girls kick ass, take on the bullies and braggarts, and win in a most satisfactory way. There’s no way to accurately assess the injustice done to actresses like Sorvino, but giving Romy and Michelle a dust down, or even a sequel, might be a tiny step in the right direction.

Support The Girls 2018 ****

Andrew Bujalski’s excellent Support The Girls arrives in the UK over a year after a meagre Stateside trickle-out release, by which time presumably anyone interested has seen it long ago. The writer/director of Computer Chess gets up to date in this defiantly human take on the pitfalls of gals making a living in the late 2010’s.  Regina Hall plays Lisa, the manager of Double Whammies, a dive resturant/sports bar where the women wear, but are not defined by, demeaning costumes designed to please their aging patrons.  Lisa has plenty of problems to deal with, but manages to strike up cameraderies which get her through the day. This is a bitter, caustic but also very funny and wise film about how women have to deal with men’s vanities to eke out a living; Lisa is something of a saint to the low-wage workers round about her, but punning title aside, Support The Girls has genuine insight to offer about how women might just about overcome a rigged system in the workplace.