One of the interesting things about the streaming revolution, or rather the tier of film-making and distribution that’s opened up alongside traditional theatrical and DVD/TV, is that some familiar genres have been resurrected back into the mainstream. There’s clearly a substantial audience for high-quality historical drama; Ross Clarke’s The Birdcatcher sits nicely alongside such recent entries at The 12th Man in offering old-fashioned bravery as a welcome central virtue.
It’s clear from the opening frames of The Bird Catcher that Esther (Sarah-Sofie Boussnina) is no ordinary girl; a camera-move around a statue of her suggests that her experience will be one that won’t be forgotten in a hurry. The Nazi occupation of Trondheim, Norway causes Esther to lose first her family, and her escape from the German forces appears temporary until she decides to find a different form of refuge; she disguises herself as a young boy.
Esther’s dreams of Hollywood are set against the grim realities and sufferings of Nordic Jews circa 1942, and The Birdcatcher manages to create a unique identity for itself by displaying considerable sensitivity to the main character’s unique situation, with a largely female crew bringing it to life. This isn’t a gender-swap film, but a heartfelt tribute to those who fought and suffered against an impossible situation; The Birdcatcher gets genuine tension from Esther’s predicament, living with a young disabled boy and his father, who sympathises with the Nazis, leading to inevitable complications and a fiery, satisfying dénouement.
Esther’s story is so remarkable that it might stretch credulity at times, as gender-swapping stories often do, but Clarke’s film gets some leeway for reflecting the intensity of Esther’s experience of her escape to Sweden. There’s melodrama here, for sure, but the film reflects an extreme moment in history, and The Birdcatcher deserves respect for spinning an entertaining story around events too dark to take centre stage. Brutal films have been made on this subject, Shoah for one; a little artifice is no great sin when attempting to lure an audience back to such painful but rewarding material.
The Birdcatcher makes for good home viewing on streaming, but is best seen in the cinema if possible, by dint of the crisp, atmospheric photography. It has also been selected to be the attractions at the Jewish Film Festival, which tours UK cinemas in November 2019; more films from the programme will be featured on this blog closer to the time.
Signature Entertainment presents The Birdcatcher in Cinemas, Digital HD & DVD from 4th October