The Mission Impossible formula has improved with each film, to the point where Rogue Nation was a franchise high. About the only problem with Fallout is that it replicates the elements of the previous film so specifically, but that’s hardly a problem when a perfect summer blockbuster is the result. Ethan Hunt (Cruise) is once again thrown into the action against Solomon Lane (Sean Ellis, last seen being dropped into a glass cube in the previous film). For reasons that are deliberately confusing to explain, Hunt inveigles his way into a terrorist organisation and win the contract to burst his nemesis out of jail. The heist scene, set in Paris, is brilliantly foreshadowed by a scene in which Hunt imagines the consequences of failure; unlike most blockbusters, Fallout sets the stakes, personal and political, at a high level, and all the action, including grandstanding foot, motorbike and helicopter chases, is more intense as a result. The spy-games keep you guessing until a lavish denouement set in the mountains, with rapid toggling between ratios reflecting the influence of Chris Nolan. Chris McQuarrie does a great job here, mixing intrigue, suspense and humour with the deftness of a classic Hollywood film.