After the high of Hell or High Water, the reteaming of star Chris Pine and director David Mackenzie promised much, but critical derision after festival screenings at Toronto knocked the wind out of its sails and it’s appearance on Netflix went largely unheralded. Whatever its issues, it’s a straight-up historical epic with lots of action and a different POV on similar events to Braveheart. US reviewers who saw Outlaw King as a sequel to Mel Gibson’s film should take a history lesson; William Wallace is seen here only as a corpse, and the focus is positively on Robert the Bruce, who Gibson’s film relegates to a minor role. As played by Pine, Robert the Bruce is determined but politically naïve, and it takes a series of defeats and setbacks before Bruce successfully turns the tide. Some groan-worthy dialogue mars the grand scale of the action, and the casting on non-Scots in all the central roles creates a feeling on unreality. But the big battle scenes are rousing, and Outlaw King’s larger-than-life heroics, like the enormous catapult seen in the opening moments, deserve to be more widely seen.