There’s plenty of films about hoaxes; the nature of a disguise works well in cinema. Savannah Knoop was the young girl who appeared in public as the reclusive author of three autobiographical works; as with other hoaxes, it did not end well, and she published a memoir explaining what she did and why. That memoir is now the subject of a sophisticated film by writer/director Justin Kelly, who manages to avoid any tabloid trashiness, yet still manages to evoke the personal, private horror of a private arrangement that explodes in the public eye. Sister of Geoff (Jim Strugess), Savannah (Kristen Stewart) arrives in San Francisco only to fall under the spell of his girlfriend Laura (Laura Dern). Laura has had literary success as JT Leroy, but needs someone to attend book-signings and literary events. With a blond wig and glasses, Savannah fits the bill, but once an actress (Diane Kruger) is wowed by Laura’s phone-sex skills, a mooted movie-version of LeRoy’s second book threatens to bring a spotlight that shines too brightly for the conspirators to hide from. That Kruger’s character Eva iseemsbased on Asia Argento (whose LeRoy adaptation The Heart Is Deceitful Above All Things premiered at Cannes) adds the further layer of notoriety; if nothing else, Kelly’s film illustrates William Goldman’s film industry maxim that nobody knows anything. Eva is presented in a very negative way, offering sex in return for the rights to the book, and then moving onto another relationship once they are secured.’ I made this film for you,’ Eva shrieks, while both Laura and Savannah come out of Kelly’s film with some bonds of friendship intact. Most films about the media have a tin ear; JT LeRoy feels painfully real, not least because Stewart is a great, vulnerable lead, but also because Dern oozes self-assuredness, not least when she’s playing Speedy, an invented personal manager and fixer for LeRoy whose strangulated English accent and colourful wig brings to mind perennial British media non-entity Janet Street Porter.
JT LeRoy is in UK Cinemas and Digital from 16th August 2019.