Shaft 2019 ***

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Reports of franchise fatigue affecting the US box office miss one off-putting element; anyone who bought a ticket for Shaft, Isn’t It Romantic? Annihilation or many other titles must have felt sorely ripped-off when they found the film they just shelled out $20 bucks to see if freely available at home on HD. For major studios to cut their losses by selling the foreign rights to their films on Netlix can only create buyers remorse and disaffection with the cinema-going process in general. Of course, Tim Story’s rehash of elements from the past four Shaft films was always going to generate some unhappy customers; the late John Singleton’s 2000 version with Samuel l Jackson was awful, and unfortunately that’s the poisoned well that this 2019 incarnation draws most of it’s mojo from. Jessie T Usher is JJ Shaft, an FBI cyber-crime fighter who joins forces with his dad, and then eventually his grandfather (a spruce Richard Roundtree) to resolve the death of his friend. The gags are laboured, the action undistinguished, the music isn’t the original Shaft theme, and the locations are faked NYC. Roundtree is great, and the final shoot-out is worth the wait, but this version of Shaft feels like something of a con-job all round.

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Ragtime 1981 ****

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Milos Foreman’s 1981 drama is best remembered as the final film of screen legend James Cagney; he’s only on screen for a couple of memorable scenes, but this adaptation of El Doctorow’s historical novel has plenty of other points to recommend it. It’s the story of a black man, Coalhouse Walker Jr (Howard E Rollins Jr) whose wife and baby are taken in by a well-off white family. Coalhouse gets into a beef with a Fire Chief (Kenneth McMillian) that leads to a siege, with Police Chief Waldo attempting to resolve the matter. There’s small roles for Jeff Daniels, Samuel L Jackson, Mary Steenburgen, Donald O’Connor and more, and the sense of the 1900’s is pervasively caught. Ragtime was garlanded with Oscar nominations, but didn’t win; it’s not exactly a crowd-pleaser at 155 mins, but as a consideration of the darker side of American history, specifically racism, it’s an absorbing and powerful watch for grown-up audiences.