Hustlers 2019 ****

hustkers

One magazine is going with ‘the most important film of the year’ for Hustlers, which would be a pretty damning condemnation of the inconsequential quality of much of the year’s films. Hustler feels like the latest reaction to the MeToo era, and creating crime movies with a ‘sisters are doing it for themselves’ vibe. With credits for both ‘Stripper consultant’ and ‘Wall Street Consultant’, at least the production has done some due diligence on the subject in hand, and it shows.

Hustlers follows on from Oceans 8 (awful) and Widows (better) as a number of female star names join forces to make a buck and beat the system, with various male antagonists in their way. Based on an article and taking some inspiration from a real story, writer/director Lorne Scafaria’s film doubles-down on the bitches-get-riches formula, keeping the stakes small and realistic; Constance Wu from Crazy Rich Asians is Oliver to Jennifer Lopez’s pole-dancing Fagin, teaching her how to dope strip-club clients with a mixture of Ketamine and MDMA while the girls cleans out their bank accounts. Of course, their clients are Wall Street scumbags, so Hustlers feels that the victims deserve all they get, and it’s only when Wu’s character shows mercy to one client that things fall apart. Hustlers does seem to have a sociological statement up its sleeve; that women, given the chance, will be as greedy as men; paying granny’s medical bills is the initial motivation, but funky expensive shoes and handbags prove to be the real undoing of Lopez’s gang.

Much as I Tonya took the clichés of the Scorsese gangster movie and revitalised them by having a female point of view, Hustlers is a female-version of Goodfellas, the fun is watching a gang come together and fall apart due to greed. Pop stars Cardi B and Lizzo have brief cameos to add value, and Usher manages a brief cameo as himself in which he manages to enter a nightclub and say his own name, pretty much the level of achievement that might be expected of a five-year old in a nativity play. But Wu and Lopez have lots to do, and they do it with great style; Lopez’s dancing is pretty sensational, and she’s got her career back on track here after the hilariously awful Second Act. The punchlines can be summed up in two lines the two lines; ‘’ Hurt people hurt people’ and ‘motherhood is a mental illness’. Hustlers looks at women, greed, crime and money, and it’s an absorbing mix of Goodfellas and Flashdance; a big hit is one the cards, and deservedly so, it’s a big, flashy, entertaining movie that poses a few interesting moral questions alongside the handbag porn.

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