Hellboy 2018 ***

Hellboy-2019

The knives were out for Neil Marshall’s reboot, rehash, re-imagining of the comic book property Hellboy, which crashed and burned at the box office with barely a whiff of brimstone or sulphur. And yet, it’s not by any means as bad as might have been expected, with some flashes of wit in the script, some huge visuals and a decent centre in Stranger Things’s David Harbour. Having an enormous face seems to be the requisite for getting cast in this role, and while Harbour’s countenance is undeniably huge, it’s not quite of the ironing board dimensions of Ron Perlman. Harbour seems a little lost under the latex and make-up, but still makes a fist of Hellboy’s laconic attitude, with Ian McShane having some fun as his dad. The story, about secret societies, Nazis, sorceresses and the usual Hellboy elements is familiar, although Milla Jovovich is a memorable villainess. Truth be told, this isn’t much better or worse that the two Guillermo del Toro versions, which were no great shakes either; for Marshall, who musters a certain vulgarity as well as some big action scenes, it’s a setback perhaps, but one that suggests he’s got what it takes to deliver a great action film one day.

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