Circle of Two 1980

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Jules Dassin was a master director (Rififi, The Naked City, Topkapi), and combining him with a major star (Richard Burton) and an up-and-coming starlet (Tatum O’Neal) for a meditation of life and love must have seemed like a great idea. Circle of Two, however, is a misfire of such spectacular proportions that it ends up as near comic genius. Burton plays Ashley St Clair, a painter in his sixties who shuns the canvas for afternoons watching sex-film at his local cinema. Amongst the patrons is Sarah Norton (O’Neal) who is keen to get away from her overprotective family and her stalker boyfriend, and hopes to fashion a romantic idyll with St Clair. Dassin clearly understands that a relationship between a 15 year old and a 60 year old has exploitation potential, even if the connection is chaste and not sexual, and plays in the direction of good taste, washing Circle of Two in glutinous photography, lush music and dialogue that aims to demystify the artistic process but instead provides comic delight in it’s literary floweriness; the monumentally awful ‘Ach, said Bach’ recurring line of dialogue will haunt impressionable audiences forever.

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