Having produced Bullitt and The French Connection, it’s no surprise that Phillip D’Antoni’s only film as director has a scorching car-chase to offer, making full use of the areas in and around New York. Roy Scheider is Buddy, one of the Seven Up team whose name comes from the length of sentence given to the criminals they pursue. They’re up against a group of mobsters who are impersonating policemen to shake down the locals as part of a protection racket, and with Sonny Grosso’s real life exploits providing the source material, as with The French Connection, the details reek of authenticity. Tony Lo Bianco, Joe Spinell and Richard Lynch add to the hard-boiled credentials, but the chase sequence is what elevates The Seven Ups to greatness; there’s no jolly high-flying stuntwork, just speed and grit, leading to a punchy climax involving a stationary truck. The Seven Ups is scarcely remembered today, but fully deserves a cult following.