Adapted with great sensitivity from Alice Munro’s short story The Bear Came Over The Mountain, Sarah Polley’s directorial debut rises far above the disease-of-the-week TV movie genre. Set in a snowy Ontario, Polley’s script depicts the internal angst of Grant Anderson (Gordon Pinsnet), who notices that his wife Fiona (Julie Christie) is in the early stages of Alzheimer’s. Reluctantly accepting the need for Fiona to be in a residential home, Gordon has to face a stark reality when it becomes apparent that his beautiful wife has forgotten his caring touch, and started a relationship with another man. Mental illness is often stigmatized in cinema, but Polley takes a less judgmental tack, sticking closely to the emotional journey of her characters and maintaining sympathy for all parties in an unusual take on sexual jealousy. Pinsent and Christie are magnificent, capturing all the nuances of a sophisticated relationship foundering on the rocks of a difficult reality.